Sometimes I tweak the colour balance, remove grain and add sharpening. Variations of presets with multiple plus (++) signs tend have more severely faded blacks — something that is not my style.Īfter applying a specific preset I usually adjust the exposure and contrast a bit. In general I favoured the less extreme versions of presets indicated with the minus (-) sign. For the Afga Vista you have many different variations of the same preset, each of which works better in a different situation. Other categories contain the other popular camera brands.Įach preset comes in multiple variations, as can be seen in the image underneath. Specific colour grading for this camera is achieved by applying a Camera Profile, which is done automatically. In order to use a preset on my Nikon camera I need to select a preset from the list of Nikon presets, irrespective of if I am shooting a D90 or D800. Using VSCO FilmĪfter setting up the presets with the installer, you will have to restart Lightroom to use them. It is not because I am lazy, it is because film just doesn’t work for me. So the short answer for why I shoot digital and not analogue: it is more convenient. With film I will also never be able to shoot several hundred pictures during one shoot or check the results while still shooting. Clients have to wait a long time to receive any photos, even if it is just a preview of a shoot. The process of shooting, developing and scanning files is very time consuming. Secondly, while I can recommend everybody to shoot film at least once, I will never be able to use it in my daily workflow. VSCO is more of a method to add a certain mood or feeling to a photo. Instagram is a destructive method of editing your photos, trying to hide the flaws that are commonly found in a lot of (older) mobile phone cameras. One person told me that if I ‘Instagram’ all the photos taken with my expensive camera, why don’t I just shoot actual film and get the real deal? First of all, VSCO cannot be compared to Instagram. When you look at photos made with film you can directly confirm that: they look good. The way how contrast, colours and grain work together was carefully planned and has been refined over the years. The film is made in such a way that the results look great. Editing photos with a single click sounds great, but how does it work in practice? Is it as easy as they say it is? Let’s find out! Why film?Īfter I used these presets, I got some questions: why would someone want to reproduce existing analogue film rather than creating a completely new look? There is an important reason for that: the people at Kodak, Afga and Ilford spend a lot of time to get that emulsion exactly right. I have used the Adobe Lightroom version of the presets in combination with Lightroom 5. By applying a special camera profile which is specifically made for each camera, VSCO manages to get digital film to look like it were analogue, irrespective of whether the RAW file came from a Fuji, Canon or Nikon camera.įortunately for LightingRumours, VSCO agreed to provide us some samples so we could test out the workflow with these presets. My RAW Nikon D800 files look different from the ones that come from your Canon, thus they also need different presets. They compared each film to a digital file and made a preset accordingly. Unlike a lot of ‘vintage’ packs, VSCO really did their research. These presets are the digital alternative to a lot of popular analogue films. VSCO Film differs quite a bit from the competition. But there are already many presets available on the market — why is VSCO special? VSCO has multiple packs of carefully-crafted presets for various photo editing software packages, including Lightroom and Adobe Camera Raw. VSCO Film has been around for quite a while, and for those who do not know about the software yet, I will explain it a bit. A while back I was recommended to try out VSCO Film, since it is supposed to be a great, efficient way to process your images.
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And while many retailers were grappling with supply chain issues a year ago, Bed Bath was among the most vulnerable, missing many of its 200 best-selling items including kitchen appliances and personal electronics, during the holiday 2021 season. It was never able to use the health crisis to pivot to a successful online strategy as others had, analysts said. Tritton quickly reduced coupons and started to introduce store label brands at the expense of national labels, a strategy that proved disastrous for the retailer.Īnd the pandemic, which happened shortly after his arrival, forced the retailer to temporarily close its stores. In late 2019, Bed Bath & Beyond tapped Target executive Mark Tritton to take the helm and turn around sales. WATCH: Americans get relief from rising food and gas prices, but core inflation remains high Meanwhile, online players like Wayfair have lured customers with affordable and trendy furniture and home décor. It was among the first to introduce shoppers to many of today’s household items like the air fryer or single-serve coffee maker, and its 15 percent to 20 percent coupons were ubiquitous.īut for the last decade or so, Bed Bath & Beyond struggled with weak sales, largely because of its messy assortments and lagging online strategy that made it hard to compete with the likes of Target and Walmart, both of which have spruced up their home departments with higher quality sheets and beddings. “It’s an institution in retailing, but unfortunately being an institution doesn’t protect you from financial woes.”įounded in 1971, Bed Bath & Beyond had for years enjoyed its status as a big box retailer that offered a vast selection of sheets, towels and gadgets unmatched by department store rivals. A lot of people have grown up with it, ” said Neil Saunders, managing director of GlobalData Retail. to allow it to keep operating during the bankruptcy process. In a statement, the company, based in Union, New Jersey, said it voluntarily made the filing “to implement an orderly wind down of its businesses while conducting a limited marketing process to solicit interest in one or more sales of some or all of its assets.” The store closings will put thousands of jobs at risk.īed Bath & Beyond said it secured a commitment of roughly $240 million in financing from Sixth Street Specialty Lending, Inc. The move comes after the company failed to secure funds to stay afloat. It listed estimated assets and liabilities in the range of $1 billion to $10 billion. For now, the company’s 360 Bed Bath & Beyond stores and its 120 Buy Buy Baby sites as well as its websites will remain open to serve customers. District Court in New Jersey and said it will start an orderly wind down of its operations including eventually closing its stores, while seeking a buyer for all or some of its businesses. The beleaguered home goods chain made the filing Sunday in U.S. NEW YORK (AP) - Bed Bath & Beyond - one of the original big box retailers known for its seemingly endless offerings of sheets, towels and kitchen gadgets - filed for bankruptcy protection, following years of dismal sales and losses and numerous failed turnaround plans. Then you can just bridge the 'tap0' and 'eth0' interfaces into a single subnet. If you add dev-mode tap to your OpenVPN configuration, it will create fully Ethernet-compatible 'tap' interfaces instead of the usual IP-only 'tun'. There is an alternative method – actual Ethernet bridging. When doing this, remove all your NAT or MASQUERADE rules – there should never be any NAT between local networks and especially between halves of the same subnet, except as a last resort. Proxy everything that's routed not via eth0: sysctl 0.proxy_arp=1 (probably not recommended).Proxy CIDR ranges: Install the parpd daemon.Proxy individual addresses: ip neigh add proxy 10.50.1.250 dev eth0. That way when other LAN hosts attempt to reach the client, they'll end up using the VPN server's MAC address. You can still make this work, by making the server itself respond to ARP requests for these addresses. But that's never true when there is a router in between (your VPN server is the router). "Same subnet" implies that the address will be reachable at MAC level. When I traceroute from my client to 10.50.1.20 it routes through 10.50.1.249 which seems correct so it appears the issue is with the route back from 10.50.1.20 (system) > 10.50.1.250 (VPN client) Iptables -t nat -A POSTROUTING -s 10.50.1.248/29 -o eth0 -j MASQUERADEĪfter doing so, I was able to ping the address 10.50.1.20 (and get to the internet) but I'm still having issues with the response from that system. I added a NAT route on the OpenVPN server of: Again, was hoping that could be resolved by placing the client on the same subnet as the internal systems. That worked, but I was still having a routing issue from an internal system back to the client. Iptables -t nat -A POSTROUTING -s 10.8.0.0/24 -o eth0 -j MASQUERADE When I had the server configured with a server 10.8.0.0 255.255.255.0 and an iptables NAT route like Once connected, I'm being issued an IP of 10.50.1.250 which is what I would expect but I'm not able to ping 10.50.1.1 or access the internet. Tls-crypt /etc/openvpn/easy-rsa/pki/ta.key Key /etc/openvpn/easy-rsa/pki/private/key.key I'm hoping this will help with routing as I have a need to connect to an internal system ( 10.50.1.20) that is having trouble routing packets back to the connected VPN client machine.Ĭert /etc/openvpn/easy-rsa/pki/issued/server.crt Is it possible to issue a client an IP address on the same subnet as the server LAN? For example, if the server's IP address is 10.50.1.5, I would like to assign the connecting clients an IP on the same subnet. Simon would have been forced to kill Carcass if he had not given the gun to the doctor, and Sophie would have also died as a result of this decision. The ending of the game is a clear indication of which decisions the player must make. He then kills himself, Sophie, and Simon, before threatening Simon again and murdering himself. David Leatherhoff, the main character of Afraid of monsters, plays the antagonist in this story, after he blamed his high on drugs and crashed into a wall. The final secret ending in this book is deeply depressing. We have to keep an eye on Purnell’s health at a time with each bullet we have in our arsenal. Throughout the game, there have been several mixed voices, with Stig’s voice acting becoming much better here. The enemy is constantly in midair in this game. Cry of Fear’s walkthrough consists of ten pages in total. Make certain you have some rounds of ammo on hand because they move quickly and strike quickly. You can get to the Staff Quarters from the second floor of the hospital. There are a few different types of ammo on the floor, but keep an eye out for them. Dropping the extra syringe or the shotgun allows you to pick it up more easily. There are two Suiciders in the court area, so make sure to bring them to you. I’m not sure what it is, and I’m not sure why so many people seem to have issues with it. Only the backdoor can bring us out of this hole. It is located in the upstairs room, directly behind the table to the left of the T.V., on the top floor of the house. The Crazyrunner is a fast attack and attack speed monster, but it does little damage. You can access nearby pages of the game by clicking on the links above. This page contains ten separate sections. Finally, you can combine different skills to create new and more powerful skills. You can also combine different items to create new and more useful items. For example, you can combine different weapons to create new and more powerful weapons. There are many things that you can combine in Cry of Fear. Where Do You Find The Code In Cry Of Fear? By following these tips, you should be able to solve the puzzle and move on to the next level. Solving the cry of fear puzzle can be a challenge, but it is possible. This can be a great resource when you are having trouble, as it can give you a clear idea of what you need to do. The walkthrough can be found online, and it will show you step by step how to solve the puzzle. When you are stuck, it is also helpful to look at the walkthrough. This can be extremely helpful when you are stuck and can not figure out how to proceed. Clicking on this button will give you a hint about what you need to do next. The hint button can be found in the upper right hand corner of the screen. Another tip for solving the cry of fear puzzle is to use the hint button. This will help you to avoid any mistakes and to find the best route to the finish. It is important to take a look at the entire puzzle and plan your moves before making them. There is no need to hurry through the puzzle, as this can often lead to mistakes. One tip for solving the cry of fear puzzle is to take your time. There are a variety of obstacles that can be in the way, and it is up to the player to figure out how to get around them. The object of the puzzle is to find a way to get the ball from the start point to the finish point. First, it is important to understand the basics of the puzzle. Solving the cry of fear puzzle can be a daunting task, but there are a few tips that can help. Click “OK” to load the media in VirtualDub to start editing. Encoding 2022 External Encoder NVENC FFMPEG H264 H265. Go to the “File” tab on the program menu and select “Open Video File…” Browse for and select the AVI output video in the file selection window. 'description': 'VirtualDub external encoder profile collection'. Step 3: Click the "Convert" button to start converting MP4 to VirtualDub friendly video formats immediately.Īfter the conversion, click "Open" to find the converted video files. Download: included in pack VirtualDub pack Source code: Caching Input Driver Keeps a range of decoded frames in memory. By clicking "Edit" button, you can trim, crop the video, or add watermark, adjust effect, attaching subtitles for pre-editing your video files so that you can simplify your editing. You can also change the destination folder before converting MP4 to VirtualDub.Ģ. Click the "Settings" button to adjust the parameters of Video Settings and Audio Settings before conversion. Step 2: From the drop-down list of "Profile" you can select "AVI" from "Common Video" category as the output format.ġ. Batch conversion is supported so you can import multiple video files at a time. And then click "Add Video" button to load your MP4 videos into it. Step 1: Install and launch Brorsoft Video Converter. For Mac users, Brorsoft Video Converter Mac is also a helpful app to encode videos for further usage. In addition, it not only supports MP4 videos, but also handles various common video formats, like MXF, MTS, MOV, MKV, WMV. This video app is professional on fast transcoding MP4 to Virtualdub with AVI format (the most compatible video format for VirtualDub) without quality loss. Brorsoft Video Converter can do you a favor. Convert MP4 to AVI for VirtualDubĪlthough VirtualDub is not equipped with native support for MP4 files, you can import the media into the application after converting it into a compatible format like AVI. Launch VirtualDub and you will find that you can add MP4 videos without hassle. zip file and drag the plugins64 or plugins32 folder to the VirtualDub installation directory (based on whether you installed the 32-bit or 64-bit version of VirtualDub) to replace the original folder with the same name.ģ. Download VirtualDub FFmpeg Input Plugin to help you open mp4 in virtualdub.Ģ. Here we will share two simple solutions with you. If you wanna edit MP4 files in Virtualdub like the above user, you may need do some preparation. However, VirtualDub was designed to work with AVI files exclusively, standalone VirtualDub does not support MP4 and more which means you are not allowed to edit or open MP4 in VirtualDub directly. VirtualDub is a popular free and open-source video capture & processing program. The reason i want to open it in virtualdub is so that i can run a sharpen filter for the mp4 video. i hope there's a plugin or software that allows me to open. MP4 files in virtualdub? It says file is not supported or something. It has some learning curve for things beyond just converting a file 1:1, but as a library, many programs such as OBS, Blender, Shotcut, Drawpile and KDEnLive implements it for tasks such as rendering and recording videos out of them.Solutions to Importing MP4 in VirtualDub for Editing frameserver for video editors such as VirtualDub, FFMPEG, and Avidemux. I HATE NITRO I HATE NITRO Ffmpeg is a free (GPL) program and library that does pretty much everything video-related, from recording to editing. Please note - the FFMPEG section of this tutorial is out of date - Zeranoe is.FFmpeg is a cross-platform framework to record, convert, and stream video and audio, it provides an easy way to convert video and audio to other formats. It allows you to open a variety of video files in Virtualdub including the H264 MPEG-4 AVC format. From the developer: Virtualdub FFMpeg Input Plugin is an input plugin for Virtualdub that uses FFMpeg to load various formats. This blog we are going to pick an open source software and locate the SIMD code from the source code of the software and then determine the SIMD code usage in a certain program. You can set up this free PC program on Windows 7/8 32-bit. Ask HN: Is there other software similar to Vim and Emacs?. The best thing about this version is that you get free premium features and free of ads gameplay. Nothing that makes it special to use the Mod version instead of the first version is that it has amazing facts that you can discover in this version. Why is the Subway Princess Runner APK Mod so Special? also the options it gives you is also very user-friendly. It is easy to get the game on your device because it is available on the Google Play Store free of cost. You can choose different costumes and girls for the game. There are different characters that you can choose from if you get word of the one that is the default one. The sound effects of every action is on point and works amazingly perfect every time every action has different audio that gives motivation to the players too. This game is not at all boring, instead, you can not stay away from the game once you start it. Sometimes you get the points that enhance your speed, sometimes you get amazing powers and one box gives you a lot of gems at the same time. On your way of running, you have to collect all the gems and points that come your way. Best thing about any game is the animation and how it quickly reacts to the action. The graphics of the same play are in 3D resolution and the brightness and quality of the whole game is amazing and attractive too. Features of Subway Princess Runner APK Incredible Graphics You can get this app on your device free of cost because of the zero downloading fee. There are two kinds of features available in this version: one is free and other is paid. The first version is a popular one that leads to a large number of downloads on Google Play Store. Following is the article that you can read to know the facts and features about this game. The game is very interesting to play and the number of downloads shows its popularity. There are a lot of hurdles that you have to pass and complete the level. In this game play you have to continuously run around to gain points and different gems. The Multics operating system began development in 1964 and used LF alone as its newline. From there MS-DOS (1981) adopted CP/M's CR+ LF in order to be compatible, and this convention was inherited by Microsoft's later Windows operating system. CP/M also used it in order to print on the same terminals that minicomputers used. Most minicomputer systems from DEC used this convention. Therefore, text was routinely composed to satisfy the needs of Teletype machines. On such systems, applications had to talk directly to the Teletype machine and follow its conventions since the concept of device drivers hiding such hardware details from the application was not yet well developed. Many early video displays also required multiple character times to scroll the display. "The solution was to make the newline two characters: CR to move the carriage to column one, and LF to move the paper up." In fact, it was often necessary to send extra characters-extraneous CRs or NULs-which are ignored but give the print head time to move to the left margin. Any character printed after a CR would often print as a smudge in the middle of the page while the print head was still moving the carriage back to the first position. The separation of newline into two functions concealed the fact that the print head could not return from the far right to the beginning of the next line in time to print the next character. The sequence CR+ LF was commonly used on many early computer systems that had adopted Teletype machines-typically a Teletype Model 33 ASR-as a console device, because this sequence was required to position those printers at the start of a new line. During the period of 1963 to 1968, the ISO draft standards supported the use of either CR+ LF or LF alone as a newline, while the ASA drafts supported only CR+ LF. ASCII was developed simultaneously by the International Organization for Standardization (ISO) and the American Standards Association (ASA), the latter being the predecessor organization to American National Standards Institute (ANSI). Later, in the age of modern teleprinters, standardized character set control codes were developed to aid in white space text formatting. In particular the Morse prosign BT (mnemonic break text) represented by the concatenation of literal textual Morse codes "B" and "T" characters sent without the normal inter-character spacing is used in Morse code to encode and indicate a new line or new section in a formal text message. In the mid-1800s, long before the advent of teleprinters and teletype machines, Morse code operators or telegraphists invented and used Morse code prosigns to encode white space text formatting in formal written text messages. This character, or a sequence of characters, is used to signify the end of a line of text and the start of a new one. Newline (frequently called line ending, end of line ( EOL), next line ( NEL) or line break) is a control character or sequence of control characters in character encoding specifications such as ASCII, EBCDIC, Unicode, etc. Newline inserted between the words "Hello" and "world" With DSF, printers can provide proactive job status via the Web and customers are given better visibility into the production process via online job tracking. The solution eases print job specification and file handling for the customer while automating workflow at the printer. The software upgrade of the Q2ID v5.5 for Quark conversion is available immediately at the Q2ID Store.ĮFI has teamed with Xerox Corporation to provide customers with the EFI Digital StoreFront (DSF) Web-to-Print solution, giving print providers a new front door to their businesses.ĭSF is one of the leading Web-to-Print products for the printing industry with more than 3,000 printing sites worldwide. It would have taken me untold hours of my own manual work to do what Q2ID did in a flash.” Sure, there were a few little oddball remnants left after the translation, but there was very, very little cleanup work involved. I was thrilled and amazed at the results. Reviews were solid and the price was reasonable, so I purchased the software and took it to task. White continues, “After a bit of research, I found the Markzware Q2ID software. Shelley White of Running With Scissors Graphic Design explains how she benefited from this Adobe plugin for Quark to InDesign, “I have been working in Adobe InDesign for a couple of years, so when faced with revising two catalogues created in QuarkXPress, I knew I had to find a way to painlessly convert them to InDesign.” Q2ID is very accurate, providing special attention to the intricate details of the Quark content when converting Quark to InDesign. This Quark conversion is as easy as opening up any Quark document into a new InDesign document. Today, Q2ID v5.5 provides a quick, easy and affordable method to convert content from Quark to InDesign. It is often a daunting task to manually convert Quark files. Markzware Q2ID InDesign plugin converts Quark documents and instantly recreates them to an InDesign CS4, CS5 and now CS5.5. Q2ID is also available with Quark 9 support for InDesign CS4 and InDesign CS5.5 and is available on both the Mac and Windows platforms. This latest version of the Adobe plugin runs under InDesign CS5.5 to convert Quark up through QuarkXPress 9 files. Markzware, the leading developer of file conversion technology for Adobe InDesign, today announced an upgrade to its popular Adobe Plugin, Q2ID (Quark to InDesign). Vrai Kaiser of The Mary Sue calls it "one of the best episodes in a long, long time", praising Deedee Magno Hall's performance, and says that the episode leaves the show at a crossroads with regard to how it will deal with the aftermath of this revelation. Club describes it as a "fundamental shift" in the show's narrative that created excitement about the unfolding plot. The episode has received acclaim for its resolution of one of the show's biggest mysteries and its compelling narrative. The broadcast of both "Can't Go Back" and "A Single Pale Rose" was viewed by 0.74 million viewers. The episode was directed by Liz Artinian (art director) and Kat Morris (supervising director). This episode was written and storyboarded by Danny Cragg and Hilary Florido. Behind him, Amethyst and Garnet gasp in shock. Steven somberly states what he has learned: his mother was actually Pink Diamond. Steven texts Pearl back in the real world and is pulled out of her mind. She assumes the form of Rose Quartz and heads out to fake the shattering. As Pink Diamond leaves the palanquin, Pearl turns to Steven and gives him the missing cell phone. She creates some fake diamond shards and swallows them, and gives one last command to Pearl as a Diamond: to never again speak of what really happened. Pearl finally agrees to Rose's plan and, to Steven's shock, Rose reverts into her natural form: Pink Diamond. While Pearl is hesitant to do what Rose is asking, Rose insists, and tells her that they'll be free afterward. Steven ends up inside Pink Diamond's palanquin hearing a conversation between Rose ( Susan Egan) and Pearl. She reveals Pink Diamond's undamaged gemstone in her hand and sends Steven further back through her memories. When he steps closer, he realizes that it is not Rose but Pearl, shape-shifted into Rose's form. He sees gem shards on the ground and Rose holding her sword. He eventually arrives at the moment after Pink Diamond's shattering. He visits her traumatic memories of Rose Quartz's pregnancy and the aftermath of the Gem War. She can't find the phone stored with Pearl's other belongings and sends Steven deeper into Pearl's mind to look for it. Inside Pearl's gem, Steven meets a personification of Pearl's ability to compartmentalize. She tells him to enter her gem and get it himself, hinting that he will find the answers to his questions there. As she tries and fails to retrieve her phone from her gem, Steven receives another text-a □ emoji. □" Steven returns home and confronts her about it, but Pearl says she hasn't used her phone since that morning. Later, Steven receives a text message from Pearl: "I want to tell you but I can't. When Amethyst returns, Pearl immediately changes the subject and stores her phone in her gem, leaving Steven confused. After Amethyst leaves, Steven confronts Pearl and asks her if she was the one who shattered Pink Diamond. Steven ( Zach Callison) is contemplating the conflicting information he has received about Pink Diamond's shattering, and anxiously waits while Amethyst ( Michaela Dietz) teaches Pearl ( Deedee Magno Hall) how to use her new cell phone. This episode received critical acclaim for Deedee Magno Hall's performance as Pearl, the quality of the artwork, and the structure of the episode's story, as well the significance of the plot twist for the broader narrative of the series. The episode focuses on Steven Universe confronting Pearl with questions about the supposed assassination of Pink Diamond millennia ago, and builds to a major plot twist for the series: the revelation that Steven's mother Rose Quartz was actually Pink Diamond herself, who faked her death with Pearl's assistance. Sugar described it and "Can't Go Back" as "huge episodes that we’ve been building to for a very long time" that would have major implications for the rest of the series, and change viewers' interpretations of the events of previous episodes. It was directed by Kat Morris and Liz Artinian and written and storyboarded by Danny Cragg and Hilary Florido from a story by Matt Burnett, Ben Levin, Kat Morris, Joe Johnston, and series creator Rebecca Sugar. It first aired on on Cartoon Network as the second half of a two-part special with the preceding episode "Can't Go Back". " A Single Pale Rose" is the eighteenth episode of the fifth season of the American animated television series Steven Universe. Rose Quartz becomes Pink Diamond, revealing that they are the same Gem. Little did I know, then, that within months those same roads, even the skies above them, would be emptied by the pandemic. I’d said how delightful it was to roam roads suddenly free of traffic. While I was reviewing Suhaib Gasmelbari’s Talking About Trees during the last London Film Festival, the West End was locked down by Extinction Rebellion protests. I’m f***d off by the cars and planes that are depressingly thick on the ground and in the air again, and with the idea that, for all the babble about building back better, people seem content to return to ‘business as usual’. Yesterday, I saw a car sticker that read: ‘Trust me, I’m even more f****d off than you are’. I’m sure I wasn’t alone, during the lonely nocturnal lows of lockdown, in feeling my mind unravel due to information overload, my spirits flag in the face of mounting daily death tolls, and my anger rise as the raw wounds of ancient injustices were reopened. To say that there’s been a lot to process lately is to underestimate the spectacular scale of these upheavals. Those with mental health problems, too, will have suffered untold distress during the imposed isolation of lockdown. Then there are such changes to policing and society as may be made in response to the anti-racist protests and the changes to many women’s lives resulting from domestic violence. The economic impact of the pandemic has lead to what analysts are already calling ‘de-globalisation’. The office, the High Street and the cash economy may be gone for good. The dizzying and disorientating events of recent months have accelerated changes in the way we live and work that would otherwise have taken decades to materialise. The inscription on the Statue of Liberty that reads, ‘Give me your tired, your poor, your huddled masses who yearn to breath free’ now rings increasingly hollow for those everywhere declaring, after Franz Fanon, ‘I can’t breathe’. Those protests and the pandemic threw the festering iniquities of neo-liberalism and the ancient injustice of systemic racism into sharp relief. Entire countries and their economies had already been shut down before we viewed footage of Floyd’s murder in Minneapolis and watched as anti-racist protests rolled across the world. Until recently, few of us had heard of Wuhan, a city larger than London fewer still could’ve described the flag of Mississippi, from which the confederate flag will soon be removed and almost nobody had heard of George Floyd. Recent events on the banks of the Yangtze River and the Mighty Mississippi seemed to stretch time as well credulity. Our times have become so interesting, indeed, that it now seems incredible only five months have passed since Covid-19 first announced itself. Seldom can the Chinese proverb ‘You will be cursed to live in interesting times’ have felt more apposite. Tom Hayden, Rebellion and Repression, 1969 a system which relies more and more on the use of force, on the use of police to maintain itself rather than on consent or persuasion or the traditional techniques of democracy." " Violence in this country stems from a system which is sick, which is racist, which apparently has a boundless ambition to police the world. George Orwell, The Lion and the Unicorn, 1941 Right through our national life we have got to fight against privilege, against the notion that a dim-witted public schoolboy is better fitted for command than an intelligent mechanic." " What is wanted is a conscious open revolt by ordinary people against inefficiency, class privilege and the rule of the old. Priestley’s Postcripts and Peter Whitehead’s The Fall. Jerry Whyte reflects on the pandemic, policing and racism in the UK and US with reference to two pivotal years, 19, and with the unlikely assistance of J.B. |